Readers are aware that I have an obsession with Renzo Piano’s Morgan Museum and Library in New York. Consider, for example, the percentage of my published e-architect articles on the subject.
This is how Adrian Welch, my editor at e-architect UK, described this You Tube, which I produced for him:
“Giorgio Bianchi, one of the most experienced architects from the Renzo Piano Building Workshop, in discussion with Joel Solkoff, a research assistant at the Department of Architectural Engineering at Penn State, USA, campaigner for good access for disabled and elderly in buildings and regular e-architect guest editor.
“Giorgio Bianchi is interviewed about his role in executing Renzo Piano’s J.P. Morgan Library and Museum Building, New York City, USA – his Creative Vision of the Vault ; how he went about the job of executing Renzo Piano’s vision ; his perspective on the role of the executive architect namely Bender Beyer Belle in clearing away the incredible regulatory hurdles ; his views on Building Information Modeling and the use of Revit to create BIM-compliant virtual reality models.”
Here is Giorgio Bianchi, in an interview conducted exclusively for e-architect discussing his role as Renzo Piano’s Partner In Charge of the Morgan. It is impossible not to hear outside Giorgio’s Paris cubicle as architects with fashionable heels dash back and forth urgently engaged in improving the world’s built environment.
Tangential note on silent movies: When my grandmother was 16, she attended a silent movie (there were no talkies at the time). A live orchestra provided the musical score for the film. My grandmother fell in love with the clarinet player and two years later my mother was born. This note explains why producing a talking picture (even one as minimal as a You Tube) is a comfort to me–avoiding my daughters having to explain if they have grandchildren, how my genetic propensity for silent movies led to….