IN the Autumn I returned to my Southern home with a heart full of joyous memories. As I recall that visit North I am filled with wonder at the richness and variety of the experiences that cluster about it. It seems to have been the beginning of everything. The treasures of a new, beautiful world were laid at my feet, and I took in pleasure and information at every turn. I lived myself into all things. I was never still a moment; my life was as full of motion as those little insects which crowd a whole existence into one brief day. I had met many people who talked with me by spelling into my hand, and thought in joyous symphony leaped up to meet thought, and behold, a miracle had been wrought! The barren places between my mind and the minds of others blossomed like the rose.
I spent the autumn months with my family at our summer cottage, on a mountain about fourteen miles from Tuscumbia. It was called Fern Quarry, because near it there was a limestone quarry, long since abandoned. Three frolicsome little streams ran through it from springs in the rocks above, leaping here and tumbling there in laughing cascades wherever the rocks tried to bar their way. The opening was filled with ferns which completely covered the beds of limestone and in places hid the streams. The rest of the mountain was thickly wooded. Here were great oaks and splendid evergreens with trunks like mossy pillars, from the branches of which hung garlands of ivy and mistletoe, and persimmon trees, the odour of which pervaded every nook and corner of the wood–an illusive, fragrant something that made the heart glad. In places, the wild muscadine and scuppernong vines stretched from tree to tree, making arbours which were always full of butterflies and buzzing insects. It was delightful to lose ourselves in the green hollows of that tangled wood in the late afternoon, and to smell the cool, delicious odours that came up from the earth at the close of day.
Our cottage was a sort of rough camp, beautifully situated on the top of the mountain among oaks and pines. The small rooms were arranged on each side of a long open hall. Round the house was a wide piazza, where the mountain winds blew, sweet with all wood-scents. We lived on the piazza most of the time–there we worked, ate and played. At the back door there was a great butternut tree, round which the steps had been built, and in front the trees stood so close that I could touch them and feel the wind shake their branches, or the leaves twirl downward in the autumn blast.
Many visitors came to Fern Quarry. In the evening, by the campfire, the men played cards and whiled away the hours in talk and sport. They told stories of their wonderful feats with fowl, fish, and quadruped–how many wild ducks and turkeys they had shot, what “savage trout” they had caught, and how they had bagged the craftiest foxes, outwitted the most clever ‘possums, and overtaken the fleetest deer, until I thought that surely the lion, the tiger, the bear, and the rest of the wild tribe would not be able to stand before these wily hunters. “To-morrow to the chase!” was their good-night shout as the circle of merry friends broke up for the night. The men slept in the hall outside our door, and I could feel the deep breathing of the dogs and the hunters as they lay on their improvised beds.
At dawn I was awakened by the smell of coffee, the rattling of guns, and the heavy footsteps of the men as they strode about, promising themselves the greatest luck of the season. I could also feel the stamping of the horses, which they had ridden out from town and hitched under the trees, where they stood all night, neighing loudly, impatient to be off. At last the men mounted, and, as they say in the old songs, away went the steeds with bridles ringing and whips cracking and hounds racing ahead, and away went the champion hunters “with hark and whoop and wild halloo!”
Later in the morning we made preparations for a barbecue. A fire was kindled at the bottom of a deep hole in the ground, big sticks were laid crosswise at the top, and meat was hung from them and turned on spits. Around the fire squatted negroes, driving away the flies with long branches. The savoury odour of the meat made me hungry long before the tables were set.
When the bustle and excitement of preparation was at its height, the hunting party made its appearance, struggling in by twos and threes, the men hot and weary, the horses covered with foam, and the jaded hounds panting and dejected–and not a single kill! Every man declared that he had seen at least one deer, and that the animal had come very close; but however hotly the dogs might pursue the game, however well the guns might be aimed, at the snap of the trigger there was not a deer in sight. They had been as fortunate as the little boy who said he came very near seeing a rabbit–he saw his tracks. The party soon forgot its disappointment, however, and we sat down, not to venison, but to a tamer feast of veal and roast pig.
One summer I had my pony at Fern Quarry. I called him Black Beauty, as I had just read the book, and he resembled his namesake in every way, from his glossy black coat to the white star on his forehead. I spent many of my happiest hours on his back. Occasionally, when it was quite safe, my teacher would let go the leading-rein, and the pony sauntered on or stopped at his sweet will to eat grass or nibble the leaves of the trees that grew beside the narrow trail.
On mornings when I did not care for the ride, my teacher and I would start after breakfast for a ramble in the woods, and allow ourselves to get lost amid the trees and vines, and with no road to follow except the paths made by cows and horses. Frequently we came upon impassable thickets which forced us to take a roundabout way. We always returned to the cottage with armfuls of laurel, goldenrod, ferns, and gorgeous swamp-flowers such as grow only in the South.
Sometimes I would go with Mildred and my little cousins to gather persimmons. I did not eat them; but I loved their fragrance and enjoyed hunting for them in the leaves and grass. We also went nutting, and I helped them open the chestnut burrs and break the shells of hickory-nuts and walnuts–the big, sweet walnuts!
At the foot of the mountain there was a railroad, and the children watched the trains whiz by. Sometimes a terrific whistle brought us to the steps, and Mildred told me in great excitement that a cow or a horse had strayed on the track. About a mile distant, there was a trestle spanning a deep gorge. It was very difficult to walk over, the ties were wide apart and so narrow that one felt as if one were walking on knives. I had never crossed it until one day Mildred, Miss Sullivan and I were lost in the woods, and wandered for hours without finding a path.
Suddenly Mildred pointed with her little hand and exclaimed, “There’s the trestle!” We would have taken any way rather than this; but it was late and growing dark, and the trestle was a short cut home. I had to feel for the rails with my toe; but I was not afraid, and got on very well, until all at once there came a faint “puff, puff” from the distance.
“I see the train!” cried Mildred, and in another minute it would have been upon us had we not climbed down upon the crossbraces while it rushed over our heads. I felt the hot breath from the engine on my face, and the smoke and ashes almost choked us. As the train rumbled by, the trestle shook and swayed until I thought we should be dashed to the chasm below. With the utmost difficulty we regained the track. Long after dark we reached home and found the cottage empty; the family were all out hunting for us.
AFTER my first visit to Boston, I spent almost every winter in the North. Once I went on a visit to a New England village with its frozen lakes and vast snow fields. It was then that I had opportunities such as had never been mine to enter into the treasures of the snow.
I recall my surprise on discovering that a mysterious hand had stripped the trees and bushes, leaving only here and there a wrinkled leaf. The birds had flown, and their empty nests in the bare trees were filled with snow. Winter was on hill and field. The earth seemed benumbed by his icy touch and the very spirits of the trees had withdrawn to their roots, and there, curled up in the dark, lay fast asleep. All life seemed to have ebbed away, and even when the sun shone the day was
Shrunk and cold,
As if her veins were sapless and old,
And she rose up decrepitly
For a last dim look at earth and sea.
The withered grass and the bushes were transformed into a forest of icicles.
Then came a day when the chill air portended a snowstorm. We rushed out-of-doors to feel the first few tiny flakes descending. Hour by hour the flakes dropped silently, softly from their airy height to the earth, and the country became more and more level. A snowy night closed upon the world, and in the morning one could scarcely recognize a feature of the landscape. All the roads were hidden, not a single landmark was visible, only a waste of snow with trees rising out of it.
In the evening a wind from the northeast sprang up, and the flakes rushed hither and thither in furious mêlée. Around the great fire we sat and told merry tales, and frolicked, and quite forgot that we were in the midst of a desolate solitude, shut in from all communication with the outside world. But during the night, the fury of the wind increased to such a degree that it thrilled us with a vague terror. The rafters creaked and strained, and the branches of the trees surrounding the house rattled and beat against the windows, as the winds rioted up and down the country.
On the third day after the beginning of the storm the snow ceased. The sun broke through the clouds and shone upon a vast, undulating white plain. High mounds, pyramids heaped in fantastic shapes, and impenetrable drifts lay scattered in every direction.
Narrow paths were shoveled through the drifts. I put on my cloak and hood and went out. The air stung my cheeks like fire. Half walking in the paths, half working our way though the lesser drifts, we succeeded in reaching a pine grove just outside a broad pasture. The trees stood motionless and white like figures in a marble frieze. There was no odour of pine-needles. The rays of the sun fell upon the trees, so that the twigs sparkled like diamonds and dropped in showers when we touched them. So dazzling was the light, it penetrated even the darkness that veils my eyes.
As the days wore on, the drifts gradually shrunk, but before they were wholly gone another storm came, so that I scarcely felt the earth under my feet once all winter. At intervals the trees lost their icy covering, and the bulrushes and underbrush were bare; but the lake lay frozen and hard beneath the sun.
Our favourite amusement during that winter was tobogganing. In places the shore of the lake rises abruptly from the water’s edge. Down these steep slopes we used to coast. We would get on our toboggan, a boy would give us a shove, and off we went! Plunging through drifts, leaping hollows, swooping down upon the lake, we would shoot across its gleaming surface to the opposite bank. What joy! What exhilarating madness! For one wild, glad moment we snapped the chain that binds us to earth, and joining hands with the winds we felt ourselves divine!
IT was in the spring of 1890 that I learned to speak. * The impulse to utter audible sounds had always been strong within me. I used to make noises, keeping one hand on my throat while the other hand felt the movements of my lips. I was pleased with anything that made a noise, and liked to feel the cat purr and the dog bark. I also liked to keep my hand on a singer’s throat, or on a piano when it was being played. Before I lost my sight and hearing, I was fast learning to talk, but after my illness it was found that I had ceased to speak because I could not hear. I used to sit in my mother’s lap all day long and keep my hands on her face because it amused me to feel the motions of her lips; and I moved my lips, too, although I had forgotten what talking was. My friends say that I laughed and cried naturally, and for awhile I made many sounds and word-elements, not because they were a means of communication, but because the need of exercising my vocal organs was imperative. There was, however, one word the meaning of which I still remembered, water. I pronounced it “wa-wa.” Even this became less and less intelligible until the time when Miss Sullivan began to teach me. I stopped using it only after I had learned to spell the word on my fingers.
I had known for a long time that the people about me used a method of communication different from mine; and even before I knew that a deaf child could be taught to speak, I was conscious of dissatisfaction with the means of communication I already possessed. One who is entirely dependent on the manual alphabet has always a sense of restraint, of narrowness. This feeling began to agitate me with a vexing, forward-reaching sense of a lack that should be filled. My thought would often rise and beat up like birds against the wind; and I persisted in using my lips and voice. Friends tried to discourage this tendency, fearing lest it would lead to disappointment. But I persisted, and an accident soon occurred which resulted in the breaking down of this great barrier–I heard the story of Ragnhild Kaata.
In 1890 Mrs. Lamson, who had been one of Laura Bridgman’s teachers, and who had just returned from a visit to Norway and Sweden, came to see me, and told me of Ragnhild Kaata, a deaf and blind girl in Norway who had actually been taught to speak. Mrs. Lamson had scarcely finished telling me about this girl’s success before I was on fire with eagerness. I resolved that I, too, would learn to speak. I would not rest satisfied until my teacher took me, for advice and assistance, to Miss Sarah Fuller, principal of the Horace Mann School. This lovely, sweet-natured lady offered to teach me herself, and we began the twenty-sixth of March, 1890.
Miss Fuller‘s method was this: she passed my hand lightly over her face, and let me feel the position of her tongue and lips when she made a sound. I was eager to imitate every motion and in an hour had learned six elements of speech: M, P, A, S, T, I. Miss Fuller gave me eleven lessons in all. I shall never forget the surprise and delight I felt when I uttered my first connected sentence, “It is warm.” True, they were broken and stammering syllables; but they were human speech. My soul, conscious of new strength, came out of bondage, and was reaching through those broken symbols of speech to all knowledge and all faith.
No deaf child who has earnestly tried to speak the words which he has never heard–to come out of the prison of silence, where no tone of love, no song of bird, no strain of music ever pierces the stillness–can forget the thrill of surprise, the joy of discovery which came over him when he uttered his first word. Only such a one can appreciate the eagerness with which I talked to my toys, to stones, trees, birds and dumb animals, or the delight I felt when at my call Mildred ran to me or my dogs obeyed my commands. It is an unspeakable boon to me to be able to speak in winged words that need no interpretation. As I talked, happy thoughts fluttered up out of my words that might perhaps have struggled in vain to escape my fingers.
But it must not be supposed that I could really talk in this short time. I had learned only the elements of speech. Miss Fuller and Miss Sullivan could understand me, but most people would not have understood one word in a hundred. Nor is it true that, after I had learned these elements, I did the rest of the work myself. But for Miss Sullivan‘s genius, untiring perseverance and devotion, I could not have progressed as far as I have toward natural speech. In the first place, I laboured night and day before I could be understood even by my most intimate friends; in the second place, I needed Miss Sullivan‘s assistance constantly in my efforts to articulate each sound clearly and to combine all sounds in a thousand ways. Even now, she calls my attention every day to mispronounced words.
All teachers of the deaf know what this means, and only they can appreciate the peculiar difficulties with which I had to contend. In reading my teacher’s lips, I was wholly dependent on my fingers: I had to use the sense of touch in catching the vibrations of the throat, the movements of the mouth and the expression of the face; and often this sense was at fault. In such cases I was forced to repeat the words or sentences, sometimes for hours, until I felt the proper ring in my own voice. My work was practice, practice, practice. Discouragement and weariness cast me down frequently; but the next moment the thought that I should soon be at home and show my loved ones what I had accomplished, spurred me on, and I eagerly looked forward to their pleasure in my achievement.
“My little sister will understand me now,” was a thought stronger than all obstacles. I used to repeat ecstatically, “I am not dumb now.” I could not be despondent while I anticipated the delight of talking to my mother and reading her responses from her lips. It astonished me to find how much easier it is to talk than to spell with the fingers, and I discarded the manual alphabet as a medium of communication on my part; but Miss Sullivan and a few friends still use it in speaking to me, for it is more convenient and more rapid than lip-reading.
Just here, perhaps, I had better explain our use of the manual alphabet, which seems to puzzle people who do not know us. I place my hand on the hand of the speaker so lightly as not to impede its movements. The position of the hand is as easy to feel as it is to see. I do not feel each letter any more than you see each letter separately when you read. Constant practice makes the fingers very flexible, and some of my friends spell rapidly–about as fast as an expert writes on a typewriter. The mere, spelling is, of course, no more a conscious act than it is in writing.
When I had made speech my own, I could not wait to go home. At last the happiest of happy moments arrived. I had made my homeward journey, talking constantly to Miss Sullivan, not for the sake of talking, but determined to improve to the last minute. Almost before I knew it, the train stopped at the Tuscumbia station, and there on the platform stood the whole family. My eyes fill with tears now as I think how my mother pressed me close to her, speechless and trembling with delight, taking in every syllable that I spoke, while little Mildred seized my free hand and kissed it and danced, and my father expressed his pride and affection in a big silence. It was as if Isaah’s prophecy had been fulfilled in me, “The mountains and the hills shall break forth before you into singing, and all the trees of the field shall clap their hands!”
THE winter of 1892 was darkened by one cloud in my childhood’s bright sky. Joy deserted my heart, and for a long, long time I lived in doubt, anxiety, and fear. Books lost their charm for me, and even now the thought of those dreadful days chills my heart. A little story called “The Frost King,” which I wrote and sent to Mr. Anagnos, of the Perkins Institute for the Blind, was at the root of the trouble. In order to make the matter clear, I must set forth the facts connected with this episode, which justice to my teacher and to myself compels me to relate. *
I wrote the story when I was at home, the autumn after I had learned to speak. We had stayed up at Fern Quarry later than usual. While we were there, Miss Sullivan described to me the beauties of the late foliage, and it seems that her descriptions revived the memory of a story, which must have been read to me and which I must have unconsciously retained. I thought then that I was “making up a story,” as children say, and I eagerly sat down to write it before the ideas should slip from me. My thoughts flowed easily; I felt a sense of joy in the composition. Words and images came tripping to my finger ends, and as I thought out sentence after sentence, I wrote them on my braille slate. Now, if words and images came to me without effort, it is a pretty sure sign that they are not the offspring of my own mind, but stray waifs that I regretfully dismiss. At that time I eagerly absorbed everything I read without a thought of authorship, and even now I cannot be quite sure of the boundary line between my ideas and those I find in books. I suppose that is because so many of my impressions come to me through the medium of others’ eyes and ears.
When the story was finished, I read it to my teacher, and I recall now vividly the pleasure I felt in the more beautiful passages, and my annoyance at being interrupted to have the pronunciation of a word corrected. At dinner it was read to the assembled family, who were surprised that I could write so well. Some one asked me if I had read it in a book.
The question surprised me very much; for I had not the faintest recollection of having had it read to me. I spoke up and said, “Oh, no, it is my story, and I have written it for Mr. Anagnos.”
Accordingly I copied the story and sent it to him for his birthday. It was suggested that I should change the title from “Autumn Leaves” to “The Frost King,” which I did. I carried the little story to the post office myself, feeling as if I were walking on air. I little dreamed how cruelly I should pay for that birthday gift.
Mr. Anagnos was delighted with “The Frost King” and published it in one of the Perkins Institution reports. This was the pinnacle of my happiness, from which I was in a little while dashed to earth. I had been in Boston only a short time when it was discovered that a story similar to “The Frost King” called “The Frost Fairies” by Miss Margaret T. Canby, had appeared before I was born in a book called “Birdie and His Friends.” The two stories we so much alike in thought and language that it was evident Miss Canby‘s story had been read to me, and that mine was–a plagiarism. It was difficult to make me understand this; but when I did understand I was astonished and grieved. No child ever drank deeper of the cup of bitterness than I did. I had disgraced myself; I had brought suspicion upon those I loved best. And yet how could it possibly have happened? I racked my brain until I was weary to recall anything about the frost that I had read before I wrote “The Frost King;” but I could remember nothing, except the common reference to Jack Frost, and a poem for children, “The Freaks of the Frost,” and I knew I had not used that in my composition.
At first Mr. Anagnos, though deeply troubled, seemed to believe me. He was unusually tender and kind to me, and for a brief space the shadow lifted. To please him I tried not to be unhappy, and to make myself as pretty as possible for the celebration of Washington’s birthday, which took place very soon after I received the sad news.
I was to be Ceres in a kind of masque given by the blind girls. How well I remember the graceful draperies that enfolded me, the bright autumn leaves that ringed my head., and the fruit and grain at my feet and in my hands, and beneath all the gaiety of the masque the oppressive sense of coming ill that made my heart heavy.
The night before the celebration, one of the teachers of the Institution had asked me a question connected with “The Frost King,” and I was telling her that Miss Sullivan had talked to me about Jack Frost and his wonderful works. Something I said made her think she detected in my words a confession that I did remember Miss Canby‘s story of “The Frost Fairies,” and she laid her conclusions before Mr. Anagnos, although I had told her most emphatically that she was mistaken.
Mr. Anagnos, who loved me tenderly, thinking that he had been deceived, turned a deaf ear to the pleadings of love and innocence. He believed, or at least suspected, that Miss Sullivan and I had deliberately stolen the bright thoughts of another and imposed them on him to win his admiration. I was brought before a court of investigation composed of the teachers and officers of the Institution, and Miss Sullivan was asked to leave me. Then I was questioned and cross-questioned with what seemed to me a determination on the part of my judges to force me to acknowledge that I remembered having had “The Frost Fairies” read to me. I felt in every question the doubt and suspicion that was in their minds, and I felt, too, that a loved friend was looking at me reproachfully, although I could not have put all this into words. The blood pressed about my thumping heart, and I could scarcely speak, except in monosyllables. Even the consciousness that it was only a dreadful mistake did not lessen my suffering, and when at last I was allowed to leave the room, I was dazed and did not notice my teacher’s caresses, or the tender words of my friends, who said I was a brave little girl and they were proud of me.
As I lay in my bed that night, I wept as I hope few children have wept. I felt so cold, I imagined I should die before morning, and the thought comforted me. I think if this sorrow had come to me when I was older, it would have broken my spirit beyond repairing. But the angel of forgetfulness has gathered up and carried away much of the misery and all of the bitterness of those sad days.
Miss Sullivan had never heard of “The Frost Fairies” or of the book in which it was published. With the assistance of Dr. Alexander Graham Bell, she investigated the matter carefully, and at last it came out that Mrs. Sophia C. Hopkins had a copy of Miss Canby‘s “Birdie and His Friends” in 1888, the year that we spent the summer with her at Brewster. Mrs. Hopkins was unable to find her copy; but she has told me that at that time, while Miss Sullivan was away on a vacation, she tried to amuse me by reading from various books, and although she could not remember reading “The Frost Fairies” any more than I, yet she felt sure that “Birdie and His Friends” was one of them. She explained the disappearance of the book by the fact that she had a short time before sold her house and disposed of many juvenile books, such as old schoolbooks and fairy tales, and that “Birdie and His Friends” was probably among them.
The stories had little or no meaning for me then; but the mere spelling of the strange words was sufficient to amuse a little child who could do almost nothing to amuse herself; and although I do not recall a single circumstance connected with the reading of the stories, yet I cannot help thinking that I made a great effort to remember the words, with the intention of having my teacher explain them when she returned. One thing is certain, the language was ineffaceably stamped upon my brain, though for a long time no one knew it, least of all myself.
When Miss Sullivan came back, I did not speak to her about “The Frost Fairies” probably because she began at once to read “Little Lord Fauntleroy,” which filled my mind to the exclusion of everything else. But the fact remains that Miss Canby‘s story was read to me once, and that long after I had forgotten it, it came back to me so naturally that I never suspected that it was the child of another mind.
In my trouble I received many messages of love and sympathy. All the friends I loved best, except one, have remained my own to the present time. Miss Canby herself wrote kindly, “Some day you will write a great story out of you own head, that will be a comfort and help to many.” But this kind prophecy has never been fulfilled. I have never played with words again for the mere pleasure of the game. Indeed, I have ever since been tortured by the fear that what I write is not my own. For a long time, when I wrote a letter, even to my mother, I was seized with a sudden feeling of terror, and I would spell the sentences over and over, to make sure that I had not read them in a book. Had it not been for the persistent encouragement of Miss Sullivan, I think I should have given up trying to write altogether.
I have read “The Frost Fairies” since, also the letters I wrote in which I used other ideas of Miss Canby‘s. I find in one of them, a letter to Mr. Anagnos, dated September 29, 1891, words and sentiments exactly like those of the book. At the time I was writing “The Frost King,” and this letter, like many others, contains phrases which show that my mind was saturated with the story. I represent my teacher as saying to me of the golden autumn leaves, “Yes, they are beautiful enough to comfort us for the flight of summer”–an idea direct from Miss Canby‘s story.
This habit of assimilating what pleased me and giving it out again as my own appears in much of my early correspondence and my first attempts at writing. In a composition which I wrote about the old cities of Greece and Italy, I borrowed my glowing descriptions, with variations, from sources I have forgotten. I knew Mr. Anagnos’s great love of antiquity and his enthusiastic appreciation of all beautiful sentiments about Italy and Greece. I therefore gathered from all the books I read every bit of poetry or of history that I thought would give him pleasure. Mr. Anagnos, in speaking of my composition on the cities, has said, “These ideas are poetic in their essence.” But I do not understand how he ever thought a blind and deaf child of eleven could have invented them. Yet I cannot think that because I did not originate the ideas, my little composition is therefore quite devoid of interest. It shows me that I could express my appreciation of beautiful and poetic ideas in clear and animated language.
Those early compositions were mental gymnastics. I was learning, as all young and inexperienced persons learn, by assimilation and imitation, to put ideas into words. Everything I found in books that pleased me I retained in my memory, consciously or unconsciously, and adapted it. The young writer, as Stevenson has said, instinctively tries to copy whatever seems most admirable, and he shifts his admiration with astonishing versatility. It is only after years of this sort of practice that even great men have learned to marshal the legion of words which come thronging through every byway of the mind.
I am afraid I have not yet completed this process. It is certain that I cannot always distinguish my own thoughts from those I read, because what I read becomes the very substance and texture of my mind. Consequently, in nearly all that I write, I produce something which very much resembles the crazy patchwork I used to make when I first learned to sew. This patchwork was made of all sorts of odds and ends–pretty bits of silk and velvet; but the coarse pieces that were not pleasant to touch always predominated. Likewise my compositions are made up of crude notions of my own, inlaid with the brighter thoughts and riper opinions of the authors I have read. It seems to me that the great difficulty of writing is to make the language of the educated mind express our confused ideas, half feelings, half thoughts, when we are little more than bundles of instinctive tendencies. Trying to write is very much like trying to put a Chinese puzzle together. We have a pattern in mind which we wish to work out in words; but the words will not fit the spaces, or, if they do, they will not match the design. But we keep on trying because we know that others have succeeded, and we are not willing to acknowledge defeat.
“There is no way to become original, except to be born so,” says Stevenson, and although I may not be original, I hope sometime to outgrow my artificial, periwigged compositions. Then, perhaps, my own thoughts and experiences will come to the surface. Meanwhile I trust and hope and persevere, and try not to let the bitter memory of “The Frost King” trammel my efforts.
So this sad experience may have done me good and set me thinking on some of the problems of composition. My only regret is that it resulted in the loss of one of my dearest friends, Mr. Anagnos.
Since the publication of “The Story of My Life” in the Ladies’ Home Journal, Mr. Anagnos has made a statement, in a letter to Mr. Macy, that at the time of the “Frost King” matter, he believed I was innocent. He says, the court of investigation before which I was brought consisted of eight people: four blind, four seeing persons. Four of them, he says, thought I knew that Miss Canby‘s story had been read to me, and the others did not hold this view. Mr. Anagnos states that he cast his vote with those who were favourable to me.
But, however the case may have been, with whichever side he may have cast his vote, when I went into the room where Mr. Anagnos had so often held me on his knee and, forgetting his many cares, had shared in my frolics, and found there persons who seemed to doubt me, I felt that there was something hostile and menacing in the very atmosphere, and subsequent events have borne out this impression. For two years he seems to have held the belief that Miss Sullivan and I were innocent. Then he evidently retracted his favourable judgment, why I do not know. Nor did I know the details of the investigation. I never knew even the names of the members of the “court” who did not speak to me. I was too excited to notice anything, too frightened to ask questions. Indeed, I could scarcely think what I was saying, or what was being said to me.
I have given this account of the “Frost King” affair because it was important in my life and education; and, in order that there might be no misunderstanding, I have set forth all the facts as they appear to me, without a thought of defending myself or of laying blame on any one.
THE summer and winter following the “Frost King” incident I spent with my family in Alabama. I recall with delight that home-going. Everything had budded and blossomed. I was happy. “The Frost King” was forgotten.
When the ground was strewn with the crimson and golden leaves of autumn, and the musk-scented grapes that covered the arbour at the end of the garden were turning golden brown in the sunshine, I began to write a sketch of my life–a year after I had written “The Frost King.”
I was still excessively scrupulous about everything I wrote. The thought that what I wrote might not be absolutely my own tormented me. No one knew of these fears except my teacher. A strange sensitiveness prevented me from referring to the “Frost King“; and often when an idea flashed out in the course of conversation I would spell softly to her, “I am not sure it is mine.” At other times, in the midst of a paragraph I was writing, I said to myself, “Suppose it should be found that all this was written by some one long ago!” An impish fear clutched my hand, so that I could not write any more that day. And even now I sometimes feel the same uneasiness and disquietude. Miss Sullivan consoled and helped me in every way she could think of; but the terrible experience I had passed through left a lasting impression on my mind, the significance of which I am only just beginning to understand. It was with the hope of restoring my self-confidence that she persuaded me to write for the Youth’s Companion a brief account of my life. I was then twelve years old. As I look back on my struggle to write that little story, it seems to me that I must have had a prophetic vision of the good that would come of the undertaking, or I should surely have failed.
I wrote timidly, fearfully, but resolutely, urged on by my teacher, who knew that if I persevered, I should find my mental foothold again and get a grip on my faculties. Up to the time of the “Frost King” episode, I had lived the unconscious life of a little child; now my thoughts were turned inward, and I beheld things invisible. Gradually I emerged from the penumbra of that experience with a mind made clearer by trial and with a truer knowledge of life.
The chief events of the year 1893 were my trip to Washington during the inauguration of President Cleveland, and visits to Niagara and the World’s Fair. Under such circumstances my studies were constantly interrupted and often put aside for many weeks, so that it is impossible for me to give a connected account of them.
We went to Niagara in March, 1893. It is difficult to describe my emotions when I stood on the point which overhangs the American Falls and felt the air vibrate and the earth tremble.
It seems strange to many people that I should be impressed by the wonders and beauties of Niagara. They are always asking: “What does this beauty or that music mean to you? You cannot see the waves rolling up the beach or hear their roar. What do they mean to you?” In the most evident sense they mean everything. I cannot fathom or define their meaning any more than I can fathom or define love or religion or goodness.
During the summer of 1893, Miss Sullivan and I visited the World’s Fair with Dr. Alexander Graham Bell. I recall with unmixed delight those days when a thousand childish fancies became beautiful realities. Every day in imagination I made a trip around the world, and I saw many wonders from the uttermost parts of the earth–marvels of invention, treasures of industry and skill and all the activities of human life actually passed under my finger tips.
I liked to visit the Midway Plaisance. It seemed like the “Arabian Nights,” it was crammed so full of novelty and interest. Here was the India of my books in the curious bazaar with its Shivas and elephant-gods; there was the land of the Pyramids concentrated in a model Cairo with its mosques and its long processions of camels; yonder were the lagoons of Venice, where we sailed every evening when the city and the fountains were illuminated. I also went on board a Viking ship which lay a short distance from the little craft. I had been on a man-of-war before, in Boston, and it interested me to see, on this Viking ship, how the seaman was once all in all–how he sailed and took storm and calm alike with undaunted heart, and gave chase to whosoever reechoed his cry, “We are of the sea!” and fought with brains and sinews, self-reliant, self-sufficient, instead of being thrust into the background by unintelligent machinery, as Jack is to-day. So it always is–”man only is interesting to man.”
At a little distance from this ship there was a model of the Santa Maria, which I also examined. The captain showed me Columbus’s cabin and the desk with an hourglass on it. This small instrument impressed me most because it made me think how weary the heroic navigator must have felt as he saw the sand dropping grain by grain while desperate men were plotting against his life.
Mr. Higinbotham, President of the World’s Fair, kindly gave me permission to touch the exhibits, and with an eagerness as insatiable as that with which Pizarro seized the treasures of Peru, I took in the glories of the Fair with my fingers. It was a sort of tangible kaleidoscope, this white city of the West. Everything fascinated me, especially the French bronzes. They were so lifelike, I thought they were angel visions which the artist had caught and bound in earthly forms.
At the Cape of Good Hope exhibit, I learned much about the process of mining diamonds. Whenever it was possible, I touched the machinery while it was in motion, so as to get a clearer idea how the stones were weighed, cut, and polished. I searched in the washings for a diamond and found it myself–the only true diamond, they said, that was ever found in the United States.
Dr. Bell went everywhere with us and in his own delightful way described to me the objects of greatest interest. In the electrical building we examined the telephones, autophones, phonographs, and other inventions, and he made me understand how it is possible to send a message on wires that mock space and outrun time, and, like Prometheus, to draw fire from the sky. We also visited the anthropological department, and I was much interested in the relics of ancient Mexico, in the rude stone implements that are so often the only record of an age–the simple monuments of nature’s unlettered children (so I thought as I fingered them) that seem bound to last while the memorials of kings and sages crumble in dust away–and in the Egyptian mummies, which I shrank from touching. From these relics I learned more about the progress of man than I have heard or read since. All these experiences added a great many new terms to my vocabulary, and in the three weeks I spent at the Fair I took a long leap from the little child’s interest in fairy tales and toys to the appreciation of the real and the earnest in the workaday world.